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Portfolio of Compositions
Conceived in Relation to an Exploration of Silence in Music
LO Ting-cheung
Doctor of Philosophy
University of York
Music
September 2016
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Abstract
The compositions presented in this portfolio are unified by a common underlying theme: the
idea of silence in music. The works were written between October 2012 and August 2015
during the course of my research. They were conceived as part of my exploration of three
silence-related areas: the uses of silence in music; the ways of effecting a perception of silence
musically; and an indeterminate approach to placing silence in a musical work. Some pieces
seek to explore one major idea while the purposes of others may be manifold. But in all these
compositions, silence emerges as an integral part of the overall musical structure.
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Contents
Abstract 2
List of compositions 4
Contents of the accompanying CD 5
Acknowledgements 7
Declaration 8
Commentary on the compositions
Chapter 1 The Less Beaten Track 9
Chapter 2 Silence in Music: Notions and Functions 13
Chapter 3 Silence in Music: Silence Perceived as Sound and Sound Perceived as Silence 25
Chapter 4 Silence in Music: The Question of Whens and Wheres 39
Conclusion 48
Bibliography 50
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List of compositions
Title Instrumentation Period of composition Duration
String Quartet String quartet Oct – Dec 2012 7’40”
On the Wings of the Solo flute Jan – Jun 2013 7’
Spring Breeze
Rude Awakening Orchestra Mar – Jul 2013 15’
In the Quietness of a Solo violin Jan – May 2014 9’-15’
Bamboo Grove
Home City Dream City Orchestra and field Feb – Oct 2014 15’
recordings
Music for a Starry Night Strings, 2 percussion Jan – Jun 2015 15’
and piano
Nocturne* Solo piano Jun – Aug 2015 9’
*This work is not specifically discussed in the commentary.
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